Presenter Bios
C. J. Alvarez is an environmental historian; he writes about deserts, the built environment, and the U.S.-Mexico border.
His first book, (University of Texas Press, 2019) is a history of the built world of the U.S.-Mexico borderline. Based on dozens of rare and never-before-seen historic maps, photographs, and blueprints, as well as archival documents and oral histories, he explains how and why the history of survey markers, surveillance infrastructure, and fencing is connected to the history of river engineering, damming, and other hydraulic projects. This book won the Vernacular Architecture Forum’s Abbott Lowell Cummings Award in 2020 as well as the Society of Architectural Historians’ Elisabeth Blair MacDougall Award in 2021 for its contribution to our understanding of the built environment of the border.
His second book project, The Arid Heart, is about the history of the Chihuahuan Desert, the largest and least-known expanse of dryland in North America. He begins the story at the end of the last Ice Age, and drawing on a combination of Indigenous oral histories, archaeological records, radiocarbon-based paleoenvironmental reconstructions, and historical archives he pieces together a multi-millennial story of a place we now know as the “Chihuahuan Desert.” The project is driven by the convictions that environmental boundaries are at least as compelling as political borders and that the more-than-human dimensions of desert history offer an important counterbalance to the dominance of anthropocentrism. During the 2019-2020 academic year this work was supported by an Andrew W. Mellon Fellowship at the School for Advanced Research in Santa Fe, New Mexico.
During the 2023-2024 academic year he is a visiting fellow at the Tanner Humanities Center at the University of Utah.
Before he received his doctorate in history from the University of Chicago, he studied art history at Harvard and Stanford. Though he left the discipline of art history, his commitment to visual analysis remained, as did his interest in creative expression. He grew up in Las Cruces, New Mexico, a place that has since proven to be a nearly limitless source of research questions and inspiration.
Chemical Engineer at Veracruz (UV) with a Master's Degree in Hydraulic Resources of arid zones from Universidad Autonoma de Chihuahua (UACH). Doctorate in Environmental Science and Technology (Cimav) in 2012. Postdoctoral degree at the Institute of Geology (UASLP) from 2016 to 2018. Since 2018 Full-time Professor currently assigned to the Faculty of Engineering of the UACH. His lines of research are hydrogeochemical modeling in surface and groundwater, and removal of arsenic and fluoride ions with low-cost homemade filters. Member of the SNI from 2015 to 2019.
Author and co-author of 9 scientific articles indexed in JCR/Scopus, with more than 80 citations and an H index of 4. Responsible for the research project from 2019 to date with CONAHCyT funding source: Geogenic sources and mobilization mechanisms of arsenic, uranium, and fluoride in groundwater in the Sierra Madre Occidental, Mexico. Scientific Reviewer for the Environmental Engineering and Management Journal publisher.
Andrea “Andie” Everett is from Ysleta del Sur Pueblo and resides within the Pueblo with her family. She is an active participant in ceremonial and cultural dances of her community. Andrea holds a bachelor’s in environmental science with a geoscience concentration and a master’s in environmental science, with a graduate certificate in geographic information science and technology (GIST). Her thesis work focused on examining future climate scenarios, and how these climate changes will further impact the Native American community of Ysleta del Sur Pueblo’s (Tiguas) cultural continuity and access to riparian ecosystem services along the Rio Grande River.
Andrea’s passion lies in the use of GIS (Geographic Information Systems), and she is the owner of MartriARC PROJECTion, LLC, which she uses to assist organizations, tribes, schools, federal and state entities, and businesses to harness the power of GIS and Drone services to meet the needs of their communities and businesses.
From sanitation workers to firefighters, power linemen to maintenance teams, Allison Orr creates award-winning choreography with the people whose work sustains our everyday lives. Inspired by the beauty and virtuosity in the movement of labor, and building on her background in anthropology and social work, Allison has honed a methodology of ethnographic choreography that engages community members as co-authors and performers in the creation of large-scale civic spectacles. Challenging audiences to expand notions of dance and performer, her dances have been performed for audiences of 60 to 6,000+.
In recent years, Allison has been named a MacDowell Fellow, a Dance | USA Fellow in Social Change, a Doris Duke United States Artist Fellow, Best Choreographer by The Austin Chronicle, Most Outstanding Choreographer by the Austin Critics Table, one of Tribeza Magazine’s Top 10 Austinites, and one of eight “Extraordinary Texans” by Texas Highways Magazine. Her large-scale work The Trash Project was named a #1 Arts Event by the Austin American-Statesman, #1 Dance Event by The Austin Chronicle, and Most Outstanding Dance Concert by the Austin Critics Table. It is also the subject of a feature-length documentary film entitled Trash Dance.
Allison has been commissioned four times by the Fusebox Festival and was the single US choreographer selected by the Kyoto Arts Center as part of the National Performance Network’s Asian Exchange program. A guest artist for numerous dance programs including Williams College, Wake Forest University, the University of Maryland, and Texas A&M, Allison has been a Mellon Foundation Creative Campus Scholar at the Center for the Arts of Wesleyan University. Her work has been funded by the City of Austin, the Texas Commission on the Arts, the Doris Duke Foundation, the National Endowment for the Arts, the Mid-America Arts Alliance, the MAP Fund, The New England Foundation for the Arts, Engaging Dance Audiences/Dance USA, Bloomberg Philanthropies, the City of Venice, Italy, and many more.
Currently a Distinguished Fellow of the College of Environment at Wesleyan University, Allison directed The Artist in the City — a hands-on course in her community-based dance-making practice where Wesleyan students embedded within the local water/wastewater department to create collaborative artistic projects with city employees. Allison has also taught children, adults over 65, and people with disabilities. Before founding Forklift Danceworks in 2001, Allison danced and studied with Deborah Hay and MacArthur Award winner Liz Lerman. She holds an MFA in Choreography and Performance from Mills College and a BA in Anthropology from Wake Forest University. Allison is a fourth generation Texan and lives in Austin with her husband and two children.
In her recently published book—Dance Works: Stories of Creative Collaboration, Allison reflects on her major collaborations and shares interviews with people she’s made dances with over the past two decades. Power line workers, sanitation workers, and firefighters reflect on their memories of performing with Forklift and the lasting impact those dances made. Alongside larger conversations in the arts, Allison offers a look at how to create community-based art projects, how the creative process can bring people together to address civic issues, and the beauty of choreographing the day to day.Mohammad Rahman is a 成人头条 Teaching Assistant in the Department of Philosophy and a mentee of Dr. Ball-Blakely and Dr. Dasgupta. Rahman’s research focuses on substantive and procedural justice on environmental security, social oppression, AI surveillance, and immigration precarity in the US-Mexico borderlands.
His research interests include sovereign states’ external and internal immigration enforcement qualified by a philosophy of immigration, constitutional norms, human rights, and international refugee law.
Rahman is also passionate about orienting philosophical insights to sovereignty, territorial disputes, conflict, femicide, and marine environment protection.